Saturday, September 22, 2018

Linguistic -learning through small facts

Linguistic🌷🌹😊👇

#Articulatory_Phonetics

The production of speech involves 3 processes:
Initiation: Setting air in motion through the vocal tract.
Phonation: The modification of airflow as it passes through the larynx (related to voicing).
Articulation: The shaping of airflow to generate particular sound types (related to manner)


Articulatory phonetics refers to the “aspects of phonetics which looks at how the sounds of speech are made with the organs of the vocal tract” Ogden (2009:173).
Articulatory phonetics can be seen as divided up into three areas to describe consonants. These are voice, place and manner respectively. Each of these will now be discussed separately, although all three areas combine together in the production of speech.


⭐⏩1) Voice

In English we have both voiced and voiceless sounds. A sound fits into one of these categories according to how the vocal folds behave when a speech sound is produced.

Voiced: Voiced sounds are sounds that involve vocal fold vibrations when they are produced. Examples of voiced sounds are /b,d,v,m/.

If you place two fingers on either side of the front of your neck, just below your jawbone, and produce a sound, you should be able to feel a vibrating sensation. This tells you that a sound is voiced.

Voiceless: Voiceless sounds are sounds that are produced with no vocal fold vibration. Examples of voiceless sounds in English are /s,t,p,f/.

⭐⏩2) Place

The vocal tract is made up of different sections, which play a pivotal role in the production of speech. These sections are called articulators and are what make speech sounds possible. They can be divided into two types.

The active articulator is the articulator that moves towards another articulator in the production of a speech sound. This articulator moves towards another articulator to form a closure of some type in the vocal tract (i.e open approximation, close, etc – define)

The passive articulator is the articulator that remains stationary in the production of a speech sound. Often, this is the destination that the active articulator moves towards (i.e the hard palate).



I will now talk about the different places of articulation in the vocal tract

#Bilabial: Bilabial sounds involve the upper and lower lips. In the production of a bilabial sound, the lips come into contact with each other to form an effective constriction. In English, /p,b,m/ are bilabial sounds.


#Labiodental: Labiodental sounds involve the lower lip (labial) and upper teeth (dental) coming into contact with each other to form an effective constriction in the vocal tract. Examples of labiodental sounds in English are /f,v/. Labiodental sounds can be divided into two types.

a) #Endolabial: sounds produced where the upper teeth are pressed against the inside of the lower lip.

b) #Exolabial: sounds produced where the upper teeth are pressed against the outer side of the lower lip.



#Dental: Dental sounds involve the tongue tip (active articulator) making contact with the upper teeth to form a constriction. Examples of Dental sounds in English are / θ, ð/.   If a sound is produced where the tongue is between the upper and lower teeth, it is attributed the term ‘interdental’.


#Alveolar: First of all, before I explain what an alveolar sound is, it’s useful to locate the alveolar ridge itself. If you place your tongue just behind your teeth and move it around, you’ll feel a bony sort of ridge. This is known as the alveolar ridge. Alveolar sounds involve the front portion of the tongue making contact with the alveolar ridge to form an effective constriction in the vocal tract. Examples of alveolar sounds in English are /t,d,n,l,s/.


#Postalveolar: Postalveolar sounds are made a little further back (‘post’) from the alveolar ridge. A postalveolar sound is produced when the blade of the tongue comes into contact with the post-alveolar region of your mouth. Examples of post-alveolar sounds in English are /  ʃ, Ê’    /.


#Palatal: Palatal sounds are made with the tongue body (the big, fleshy part of your tongue). The tongue body raises up towards the hard-palate in your mouth (the dome shaped roof of your mouth) to form an effective constriction. An example of a palatal sounds in English is /j/, usually spelt as <y>.


#Velar: Velar sounds are made when the back of the tongue (tongue dorsum) raises towards the soft palate, which is located at the back of the roof of the mouth. This soft palate is known as the velum. An effective constriction is then formed when these two articulators come into contact with each other. Examples of velar sounds in English are /k,g Å‹  /.


⭐⏩3) Manner

In simple terms, the manner of articulation refers to the way a sound is made, as opposed to where it’s made. Sounds differ in the way they are produced. When the articulators are brought towards each other, the flow of air differs according to the specific sound type. For instance, the airflow can be completely blocked off or made turbulent.



⭐⏩1) Stop articulations:

Stop articulations are sounds that involve a complete closure in the vocal tract. The closure is formed when two articulators come together to prevent air escaping between them. Stop articulations can be categorized according to the kind of airflow involved. The type of airflow can be oral (plosives) or nasal (nasals). I will now talk about both plosives and nasals separately.

1a) #Plosives: are sounds that are made with a complete closure in the oral (vocal) tract.  The velum is raised during a plosive sound, which prevents air from escaping via the nasal cavity. English plosives are the sounds /p,b,t,d,k,g/. Plosives can be held for quite a long time and are thus also called ‘maintainable stops’.



1b) Nasals are similar to plosives in regards to being sounds that are made with a complete closure in the oral (vocal) tract. However, the velum is lowered during nasal sounds, which allows airflow to escape through the nasal cavity. There are 3 nasal sounds that occur in English /m,n, Å‹/



⭐⏩2) Fricatives:

Fricative sounds are produced by narrowing the distance between the active and passive articulators causing them to be in close approximation. This causes the airflow to become turbulent when it passes between the two articulators involved in producing a fricative sound. English fricatives are sounds such as / f,v, θ,ð, s,z, ʃ,Ê’     /



⭐⏩3) Approximants:

Approximant sounds are created by narrowing the distance between the two articulators. Although, unlike fricatives, the distance isn’t wide enough to create turbulent airflow.  English has 4 approximant sounds which are /w,j,r,l/.



#Vowels

When it comes to vowels, we use a different specification to describe them. We look at the vertical position of the tongue, the horizontal position of the tongue and lip position.

Vowels are made with a free passage of airflow down the mid-line of the vocal tract. They are usually voiced and are produced without friction.



⭐⏩1) Vertical tongue position (close-open): vertical tongue position refers to how close the tongue is to the roof of the mouth in the production of a vowel. If the tongue is close, it is given the label close. However, if the tongue is low in the mouth when a vowel is produced, it’s given the label open.  + close-mid/open mid (see below).



Some examples of open vowels: ɪ, ʊ

Some examples of close vowels: æ, ɒ,



⭐⏩2) Horizontal tongue position (front, mid, back): Horizontal tongue refers to where the tongue is positioned in the vocal tract in terms of ‘at the front’ or ‘at the back’ when a vowel is produced. If the tongue is at the front of the mouth it’s given the label front, if the tongue is in the middle of the mouth it’s given the label mid and if the tongue is at the back of the mouth it’s given the label back.

Some examples of front vowels: ɪ , e, æ

Some examples of mid vowels: É™

Some examples of back vowels:  ÊŒ,É’



⏩3) Lip position: As is inferred, lip position concerns the position of the lips when a vowel is produced. The lips can either be round, spread or neutral.

Examples of round vowels: u, o

Examples of spread vowels: ɪ, ɛ



There are also different categories of vowels, for example: monophthongs and diphthongs.



#Monophthongs: Monophthongs are vowels that are produced by a relatively stable tongue position.

Monophthongs can be divided into two categories according to their duration. These are long and short vowels and their duration is mirrored in their names.

Examples of short vowels: e, æ, ɪ, ʊ

Examples of long vowels: ɔ: ɜ:, i:, u:



#Diphthongs: Diphthongs are vowels where the tongue moves from one part of the mouth to another. They seen as starting of as one vowel and ending as a different vowel.

Concise facts on A portrait of an Artist as a young man

A Portrait of the Artist as a Young Man

A Portrait of the Artist as a Young Man is a novel by the Irish modernist writer James Joyce. It follows the intellectual, moral and spiritual development of a young Catholic Irishman, Stephen Dedalus, and his struggle against the restrictions his culture imposes. Portrait can be placed in the tradition of the bildungsroman – novels that trace the personal development of the protagonist, usually from childhood through to adulthood. Joyce contrasts the rebellion and the experimentation of adolescence with the sombre influence of Stephen’s Catholic education. For example, his startled enjoyment of a sexual experience in chapter two is followed by the famous ‘Hellfire sermon’ in chapter three which leaves him fearing for his soul. The name Dedalus links to Ovid’s mythological story of Daedalus – the ‘old artificer’ – and his son Icarus, who flies too close to the sun. We are reminded of this image when Stephen tells his friend Davin: ‘When the soul of a man is born in this country there are nets flung at it to hold it back from flight. You talk to me of nationality, language, religion. I shall try to fly by those nets’.

Though the technique used in much of the novel’s narration can be described as ‘stream-of-consciousness’, some critics complain that this term tells us little about the effect it achieves. Joyce traces Stephen’s various stages of development, by adjusting the style of his language as his protagonist grows up. From the baby-talk of the opening, to the high-minded aesthetic discussion towards the end, Joyce’s language play mimics Stephen’s phonetic, linguistic and intellectual growth. By the end of the novel, Stephen has resolved to follow his calling as an artist and to leave Ireland in order to ‘forge in the smithy of my soul the uncreated conscience of my race’.

In many respects, the novel represents Joyce’s own artistic development, and Stephen plays out fictionalised versions of many of his author’s experiences: the episode surrounding the death of the disgraced Irish home-rule leader Charles Stuart Parnell has many similarities with the arguments this event caused in the Joyce household.

The novel was serialised in the modernist magazine, The Egoist, between 1914 and 15, starting on 2 February (Joyce’s 32nd birthday), and printed as a complete book in 1916 in the US and in 1917 in the UK (though the editions are dated 1916).

Important Short questions on language

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#How is language Arbitrary?

There is no logical relation between the sound or written word and the object. Same object have different names in different areas shows that there is no logical relation between word and object. So, language is arbitrary.

#How is linguistics a Science?

Linguistics is the scientific study/ systematic study of language. In linguistics the method is applied by making observations, testing hypotheses and deriving theories. So, linguistics is a science but social science not a practical science.

#What is meant by Synchronic and Diachronic study of language?

Synchronic study of language is the study of language at a fix point or present but Diachronic study of language is the study of language change or study of language through history.

#How does Ferdinand de Saussure make a distinction between Langue and Parole?

According to Ferdinand de Saussure the distinction between langue and parole is that langue is the structure of language in the mind/grammar of language in mind and the parole is the speech or written language.

#What does Noam Chomsky mean by Competence?

According to Noam Chomsky competence mean the linguistic knowledge of the native speaker to understand and speak.

#How does Noam Chomsky argue about Performance?

According to Noam Chomsky the performance is the actual use of language in concrete situation. It is like Parole as described by Ferdinand de Saussure.

#What is LAD according to Chomsky?

According to Noam Chomsky the LAD (Language Acquisition Device) is instinctive mental facility to acquire and speak language.

#What are different Organs of Speech?

The different Speech Organs are teeth, lips, tongue, nasal cavity, alveolar ridge, hard palate, velum (soft palate), uvula and glottis etc.

#What is meant by Received Pronunciation (RP)?

Received Pronunciation (RP) means the standard accent of British English Language. It is associated with formal speech.

#Differentiate between Dialect and Idiolect.
Dialect is variety of language used by a social or regional group and Idiolect is the variety of language used by an individual.

#Define Register.
Register is the use of variety of language by the group of peoples of different professions like lawyers and doctors etc.

#Define Syntax.
Syntax is the arrangement of word to create a phrase or sentence in language. It is grammar or the rules to construct a sentence.


#Differentiate between Pidgin and Creole.
Pidgin is the mixture of multi languages used by traders as second language and Pidgin when used by the peoples as first language it becomes Creole or Linguafranca.

#What are Bound and Free Morphemes?
Bound Morphemes are element of a word with prefixes or suffixes cannot stand alone as a word but Free Morphemes stand alone, a single morpheme as a word.

#What is multilingualism? Give examples.
Multilingualism means use of two or more languages by an individual or society. for example Punjabi and Urdu or Sindhi, Punjabi and Urdu etc.

#What is code switching and code mixing?
Code Switching is using more than one language and changing from one language to another but Code Mixing is using more than one language as mixture, use of multi languages in one sentence.

#What is language lateralization?
Language lateralization refers to the functions of the left and right hemispheres in the brain and distinct functions of left and right hemisphere.
#What is the difference between derivational morpheme and inflectional morpheme?
Inflectional morpheme is a morpheme that does not change the category of the word like smaller from small these both are adjectives. For example: great greater, tall taller, old older and short shorter.
Derivational morpheme is a morpheme that change the category of the word like movement from move here movement is a noun and move is a verb. Improve improvement, easy easily and entertain entertainment.

#What is the difference between voiced and voiceless sounds?
Voiced sounds are those in which vocal chords vibrate and in voiceless sounds vocal chords do not vibrate. For example “v, m, n, b and d” are voiced and “s, h and f” are voiceless.
#What are infixes?
Infixes are affixes that inserted nor in beginning neither at the end but in the base word. For example: cupsful from cupful.

Monday, August 13, 2018

All age writers till post modern

Famous writes of English literature

0450 - 1066: Old English (Anglo-Saxon) Period
Major Writers:

Beowulf (Anonymous)


1066 - 1500: Middle English Period
Major Writers:

Geoffrey Chaucer


1500 - 1600: The Renaissance (Early Modern) Period

1558 - 1603: Elizabethan Age

Major Writers:

Christopher Marlowe

Edmund Spenser

Francis Beaumont

John Fletcher

Sir Philip Sidney

Thomas Dekker

Thomas Wyatt

William Shakespeare


1603 - 1625: Jacobean Age

Major Writers:

Ben Jonson

John Webster

Thomas Kyd

George Chapman

John Donne

George Herbert

Emilia Lanyer


1625 - 1649: Caroline Age

Major Writers:

John Ford

John Milton


1649 - 1660: Commonwealth Period

Major Writers:

John Milton

Andrew Marvell

Thomas Hobbes


1660 - 1700: Restoration Period
Major Writers:

John Dryden


1700 - 1745: The Augustan Age
Major Writers:

Alexander Pope

Jonathan Swift

Samuel Johnson


1745 - 1783: The Age Of Sensibility

1785 - 1830: The Romantic Period

Major Writers:

William Wordsworth

S.T. Coleridge

Jane Austen

the Brontës


1832 - 1901: The Victorian Period
Major Writers:

Charles Dickens

George Eliot

Robert Browning

Alfred Lord Tennyson


1848 - 1860: The Pre-Raphaelites
Major Writers:

William Holman Hunt

John Everett Millais

Dante Gabriel Rossetti

William Michael Rossetti

James Collinson

Frederic George Stephens

Thomas Woolner


1880 - 1901: Aestheticism and Decadence


1901 - 1910: The Edwardian Period
Major Writers:

J. M. Barrie

Arnold Bennett

Joseph Conrad

E. M. Forster

John Galsworthy

Kenneth Grahame

Edith Nesbit

Beatrix Potter

Lucy Maud Montgomery

H. G. Wells

P. G. Wodehouse


1910 - 1914: The Georgian Period

Major Writers:

G.M. Hopkins

H.G. Wells

James Joyce

D.H. Lawrence

T.S. Eliot


1914 - 1945: The Modern Period

Major Writers:

Knut Hamsun

James Joyce

Mikhail Bulgakov

T. S. Eliot

Virginia Woolf

John Steinbeck

D. H. Lawrence

Ezra Pound

William Faulkner

Ernest Hemingway

Katherine Anne Porter

E. M. Forster

Franz Kafka

Joseph Conrad

W. B. Yeats

F. Scott Fitzgerald

Samuel Beckett

Robert Frost


1945 - Present: Post Modern Period

Major Writers:

Ted Hughes

Doris Lessing

John Fowles

Don DeLillo

A.S. Byatt

Important Works with subtitle

WORKS AND SUBTITLES

Decameron:Prince Galahout (Boccacio)
[ ] The Female Quixote: or, The Adventures of Arabella  - Charlotte Lennox - 1752
[ ] Don Quixote of La Mancha (Cervantes)
[ ] Under the Greenwood Tree: A Rural Painting of the Dutch School - 1872 Thomas Hardy
[ ] Mayor of Casterbridge: The Life and Death of a Man of Character - (1886) Thomas Hardy
[ ] Animal Farm: A Fair Story (George Orwell)
[ ] Michael: A Pastoral Poem- (1800 Wordsworth)
[ ] The History of Tom Jones: A Foundling (1749 Henry Fielding)
[ ] Istanbul: A Memories and the City - Orhan Pamuk
[ ] The Ascent F6: A Tragedy in Two Acts - 1936- WH Auden
[ ] Waiting for Godot: A Tragicomedy in Two Acts - Samuel Beckett
[ ] Sons and Lovers - (original title) Paul Morel
[ ] Way of the World: A comedy(Congreve 1700)
[ ] All For Love, The World Well Lost (Dryden 1677)
[ ] She Stoops to Conquer: Mistakes of a night (Goldsmith)
[ ] Oliver Twist; The Parish Boy's Progress (pub by Richard Bently) by Dickens
[ ] Vanity Fair: A Novel Without Hero (Thackery)
[ ] The Vicar of Wakefield: A Tale Supposed to be Written by Himself 1766 (Goldsmith)
[ ] Middlemarch, A provincial Life 1784 ( George Eliot)
[ ] Bingo: Scenes of Money and Death (1973 Edward Bond) [Shakespeare comes as a character]
[ ] Hardbreak House: A Fantasia in the Russian Manner on English Themes (1919 G.BShaw)
[ ] Silas Marner: The Weaver of the Raveloe (1861 George Eliot)
[ ] Felix Holt: The Radical (1866 George Eliot )
[ ] Importance of Being Earnest: a trivial comedy for Serious People - Oscar Wild
[ ] The Wheel of Fire; The Interpretation of Shakespearean tragedy. Wilson Knight
[ ] Pamela: Virtue Rewarded - Samuel Richardson
[ ] Joseph Andrews, or The History of Adventures of Joseph Andrews and of his Friend Mr Abraham Adams - Henry Fielding
[ ] Andrea del Sarto: The Faultless Painter - Robert Browning
[ ] Tess of the D'Urbervilles:A Pure Woman - Hardy
Tess of D'URBERVILLES - The Daughter of the D'Urbervilles (original intended title)
[ ] Gorboduc or The Ferrex and Porrex - Thomas Norton and Thomas Sackville
[ ] Holy Sonnets, or The Divine Meditations, or Divine Sonnets --John Done (1633)
[ ] Tottel's Micellany, Songs and Sonnets
[ ] Mac Flecknoe; A Satyr upon the True-Blew-Protestant Poet, T.S. - (Dryden)
[ ] The Wheel of Fire: Interpretations of Shakespearean Tragedy (Wilson Knight)
[ ] Endymion: The Man in the Moon (John Lyly)
[ ] The Mistress: Several Copies of Love Versus - Abraham Cowley
[ ] Hespiredes: The Works Both Humane and Divine of Robert Herrick (Robert Herrick-1648)
[ ] Elegy for John Donne - "An Elegy Upon the Death of St Paul's Dr John Donne"
[ ] Troilus and Cressida: Truth Found Too Late (opera) - Dryden
[ ] Alexander's Feast, or the Power of Music (1697) - Dryden
[ ] Histeriomastix: The Players Scourge or Actors Tragedy (1633) - William Prynne
[ ] The Pilgrim's Progress - The Pilgrim's Progress from This World to That Which Is to Come; Delivered under the Similitude of a Dream - John Bunyan
[ ] Candide: All for the Best; or The Optimist; or Optimism
[ ] Roughing it in the Bush, Or, Forest Life in Canada (1852) - Susanna Strickland Moodie